2 years, 4 months ago
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K. Bender
Distant viewing
Public Group |
active 2 years, 4 months ago ago
With reference to the concept of distant reading in literary history, distant viewing is a valuable analogy for a quantitative approach to art history: issues of collecting, sampling and analysis of quantitative data such as the number of replicas, of engravings and subsequent duplications or imitations by other artists, or data about the economics and market related aspects of artistic productivity.
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2 years, 4 months agoRamón Valdés
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2 years, 4 months agoKristine Kotecki
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2 years, 4 months agoDH Field School at BISC
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2 years, 4 months agoMaria Akritidou
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2 years, 4 months agoJonathan Armoza
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2 years, 4 months agoGabriela Valdivia
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2 years, 4 months agoTassie Gniady
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2 years, 4 months agoBGR
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2 years, 4 months agoPaula Johanson
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2 years, 4 months agoMila Oiva
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2 years, 4 months agoMatt
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2 years, 4 months agoHannah L Jacobs
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2 years, 4 months agoTolonen
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2 years, 4 months ago
K. Bender
I am interested to learn about available -and affordable- database software used for art historical research. I have been using for more than ten years an efficient commercial Australian software, called ArtWorksPro. Unfortunately, it is no longer supported and, therefore, I look for a replacement. Does anyone know about a Microsoft Access…[Read more]
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2 years, 4 months ago
K. Bender
I am interested to learn about available -and affordable- database software used for art historical reseach. I have been using for more than ten years an efficient commercial Australian software, called ArtWorksPro. Unfortunately, it is no longer supported and, therefore, I look for a replacement. Does anyone know about a Microsoft Access database…[Read more]
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2 years, 4 months agoMatthew Lincoln
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2 years, 4 months agoyun yang
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2 years, 4 months ago
K. Bender
‘Without doubt quality is better than quantity, but quality can be discussed ad infinitum,
while quantity is indisputable’ quotation (my translation) of the French philosopher Michel Tournier (Le miroir des idées – Traité. Paris : Mercure de France, 1995, 205-208.) -
2 years, 4 months agoMartha Juarez
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